The level was high in all respects, splendid and homogeneous sound on all four strings, almost impeccable intonation and an extremely polished way of delivering or removing any musical element. [...]Marcello Fera has been able to reach the Fera has managed to reach the primordial place of every musician [...] that enchantment with which the relationship with the music is born and that it is the privilege of a few to preserve - achieved not by fortune but by consciousness, as it came to us explaining

Francesco Denini on SuonoSonda

It was not a concert in the strict sense of the word: Fera invented a way of being on stage that was really little frequented by the instrumentalists and even composers, because by playing he told his story, he told his art and his life as an artist.

Toni Job on Strisciarossa

PROGRAMME
Marcello Fera: Segno, Andare, Taglio, Memento Gori, Sensa Sciou, Improvvisazione, Cura, Ragionando
Domenico Gabrielli [1650-1690] : Ricercare primo
MS from Kroměříž [1672] : Giga e Variatio
J.S. Bach [1685-1750] : Double [dalla partita Nr. 1 h-Moll BWV 1002]
Marcello Fera: Ninna per Olga, All’intorno,  Interludio alla voce di Roberta Dapunt,  Mnemo,  Aframunda

Marcello Fera: Follephonia (from A. Corelli) 

Pëtr Il'ič Čajkovskij : Souvenir de Florence op. 70 

J.S. Bach: Konzert BWV 1056

Arash Safaian: ÜberBac

Ladre di Sabbia
text by Guido Barbieri
music by Marcello Fera

The level was high in all respects, splendid and homogeneous sound on all four strings, almost impeccable intonation and an extremely polished way of delivering or removing any musical element. [...]Marcello Fera has been able to reach the Fera has managed to reach the primordial place of every musician [...] that enchantment with which the relationship with the music is born and that it is the privilege of a few to preserve - achieved not by fortune but by consciousness, as it came to us explaining

Francesco Denini on SuonoSonda

It was not a concert in the strict sense of the word: Fera invented a way of being on stage that was really little frequented by the instrumentalists and even composers, because by playing he told his story, he told his art and his life as an artist.

Toni Job on Strisciarossa

PROGRAMME
Marcello Fera: Segno, Andare, Taglio, Memento Gori, Sensa Sciou, Improvvisazione, Cura, Ragionando
Domenico Gabrielli [1650-1690] : Ricercare primo
MS from Kroměříž [1672] : Giga e Variatio
J.S. Bach [1685-1750] : Double [dalla partita Nr. 1 h-Moll BWV 1002]
Marcello Fera: Ninna per Olga, All’intorno,  Interludio alla voce di Roberta Dapunt,  Mnemo,  Aframunda